Trine Wilsberg-Lund Soddy
Sopran
Den norske sopranen, Trine Wilsberg Lund, har et betydelig rykte som konsertsanger i Europa, med et repertoar av verk fra alle tidsepoker. Trine har et meget bredt konsertrepertoar med over 60 oratorier og kantater, fra tidlig til ny musikk.
På operaområdet har hennes høydepunkter inkludert Polissena (“Radamisto”), Gretel (“Hansel and Gretel”), 4th Maid (“Elektra”), Soeur Constance (“Dialogues des Carmelites” - regissert av Nikolaus Lehnhoff), Ännchen (“Der Freischütz”) i den legendariske oppsetningen av Peter Konwitschny, Hovedrollen i en nyskrevet opera «"Le Ball“ av Oscar Straasnoy (premiere Châtelet, Paris), Blondchen (“Entführung aus dem Serail”) Opera Montpellier, Pamina (“Tryllefløyten”) og Ismael (“The Outcast”) -en verdenspremiere av Olga Neuwirth Nationaltheater Mannheim, Amore (L’incoronazione di Poppea)– regissert av Robert Carson, “Marzelline“ (Fidelio) Bergen Nasjonale Opera.
Trine har jobbet med orkestre som Leipzig Barockorchester samt Kammerorchester, Berlin Kammerorchester, Leipzig Gewandhaus Orchester, Köln Kammerorchester, Wiesbaden Bach Ensemble, Kärnten Sinfonie Orchester , Dresden Barock Orchester , Stuttgart Kammerorchester og Graz Philharmonie Orchester i ulike internasjonale festivaler i Europa, Russland og Asia. Innen konsert og opera har Trine jobbet med dirigenter som Simone Young, Stefan Soltesz, Philippe Auguin, Alessandro De Marchi, Peter Neumann, Georg Christoph Biller, Balázs Koscár, Morten Schuldt-Jensen, Ton Koopman, Michael Gielen, Michi Geig, Rubén Dubrovsky, Alexander Soddy, Christopher Moulds, Christopher Moulds, John Axelrod. Trine har vunnet en rekke priser og deltatt i flere internasjonale CD-produksjoner.
The Norwegian soprano Trine Wilsberg Lund has established a significant reputation as a concert singer throughout Europe, with a repertoire spanning all musical periods. She has a remarkably broad concert repertoire, comprising over 60 oratorios and cantatas, ranging from early music to contemporary works.
In the field of opera, her career highlights include Polissena (Radamisto), Gretel (Hansel and Gretel), Fourth Maid (Elektra), Soeur Constance (Dialogues des Carmélites, directed by Nikolaus Lehnhoff), Ännchen (Der Freischütz) in Peter Konwitschny’s legendary production, the lead role in the newly composed opera Le Ball by Oscar Strasnoy (premiere at Théâtre du Châtelet, Paris), Blondchen (Die Entführung aus dem Serail) at Opéra de Montpellier, Pamina (The Magic Flute), Ismael in The Outcast—a world premiere by Olga Neuwirth at the Nationaltheater Mannheim, Amore (L’incoronazione di Poppea) directed by Robert Carsen, and Marzelline (Fidelio) at Bergen National Opera.
Trine has worked with orchestras such as the Leipzig Baroque Orchestra, Berlin Chamber Orchestra, Leipzig Gewandhaus Orchestra, Cologne Chamber Orchestra, Wiesbaden Bach Ensemble, Carinthian Symphony Orchestra, Dresden Baroque Orchestra, Stuttgart Chamber Orchestra, and the Graz Philharmonic Orchestra, performing at various international festivals across Europe, Russia, and Asia.
In both concert and opera, she has collaborated with conductors including Simone Young, Stefan Soltesz, Philippe Auguin, Alessandro De Marchi, Peter Neumann, Georg Christoph Biller, Balázs Koscár, Morten Schuldt-Jensen, Ton Koopman, Michael Gielen, Michi Geig, Rubén Dubrovsky, Alexander Soddy, Christopher Moulds, and John Axelrod.
Trine Wilsberg Lund has won numerous awards and participated in several international CD productions.
